未曾投入,却已疏离——论阿尔贝·加缪笔下默尔索形象的隐喻性塑造  

On the Metaphorical Characterization of Meursault in L'étranger

作　　者：潘水萍[1] 

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《青岛大学师范学院学报》2011年第1期72-76,共5页Journal of Teachers College Qingdao University

摘　　要：法国文学家阿尔贝.加缪在其成名作小说《局外人》中,以其感受世界的独特方式表写着"未曾投入,却已疏离"为重大主题的美学哲思。他以最深刻的笔墨勾勒、审视着当下人类生存的遭际处境。加缪通过默尔索对己身存在意义所隐含的生命意识的追问与反思,强而有力地导出"荒诞"意识背后隐潜着种种生命精神关联的"存在之思",势必给活在当下的人们以人类命运极深巨的视境启悟。With a unique way of experiencing the world,Albert Camus reveals the serious theme of aesthetic philosophy in L＇étranger：＂he has been alienated before getting into the world＂.He delineates and concerns with the current human existence.Through Meursault＇s questioning and reflecting on life and meaning of existence,Camus arouses a kind of strong ＂absurd＂consciousness behind which different kinds of ＂thinking of the existence＂ are underlying,offering the people living at the moment profound enlightenment on the human destiny.

关 键 词：阿尔贝·加缪 荒诞 反抗 存在之思 《局外人》 

分 类 号：I106[文学—世界文学]