东西“情圣”的合流与唯情论的乌托邦——清末民初言情小说与“浪漫爱”的兴起  

Western and Eastern Confluence of "Magnificent Wooer" and Emotionalism of Utopia——Booming romantic fiction and "romantic love" in the late Qing and early Republic of China

作　　者：耿传明[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《学术交流》2011年第4期160-165,共6页Academic Exchange

基　　金：国家社科基金项目"现代中国乌托邦小说研究"(07BZW052)的阶段性成果

摘　　要："浪漫爱"的兴起是一种现代性的文化现象,它与传统的瓦解、现代个人的出现相伴而生,是人性解放特别是人的感性解放的突出表征。"浪漫爱"带有"以情求道"倾向,它追求的是爱的唯一性、永恒性和至善、至美性,它在现代成为一种人的自我价值得以实现的重要方式,超出性爱本身,具有了超越凡俗的精神意义。清末民初言情小说的兴起可视为这种现代浪漫爱的滥觞,其中《红楼梦》和《茶花女》的相遇,为这种浪漫爱的兴起提供了极大的助力。清末民初言情小说中的唯情派继承了明清以来以情抗礼的文学传统并与西方浪漫主义爱情小说实现了对接;他们所表现的爱情具有超凡脱俗的乌托邦特性,本土禁欲主义道德与西方纯情、浪漫之爱与此结成了同盟,这是现代性初兴时期浪漫主义反世俗的"人的自我神化"倾向在中国文学中的表现。The rise of ＂romantic love＂ is a kind of cultural phenomena of modernity,emerging with the collapse of tradition and modern individualism,embodying emancipation of humanity,especially liberation of man＇s perception.＂Romantic love＂ with an inclination for ＂enlightenment pursuit by emotion＂ seeks uniqueness,immutability and perfect of beauty and becomes an important method by which man realizes their self-value in modern,surpassing love itself and spiritual earthliness.The rise of romantic fictions in the late Qing and early Republic of China can be regarded as the source of modern romantic love,and the confluence of Dream of the Red Chamber and La dame aux camellias gave the rise of romantic love a most powerful support.In these novels,emotionalism school carried out literary themes of the Ming and Qing Dynasties,challenging conventional etiquette with emotion and love and gearing into Western romanticism.Both of them endow love with transcendental Utopian characteristics.Chinese asceticism and Western pure and romantic love came together,which in Chinese literature represented the inclination of ＂man＇s self-deification＂ of romanticist counter-secularization in the early period of modernity.

关 键 词：言情小说 唯情论 浪漫爱 乌托邦 “人神”文化 

分 类 号：I206.6[文学—中国文学]