“忧郁”:《上海屋檐下》的隐型意义  

"Melancholy":Invisible significance of Shanghai Eaves

作　　者：周黎燕[1] 

机构地区：[1]浙江理工大学文化传播学院,杭州310018

出　　处：《山东师范大学学报（人文社会科学版）》2011年第2期22-26,共5页Journal of Shandong Normal University(Humanities and Social Sciences)

摘　　要：夏衍名剧《上海屋檐下》描摹上海底层人民生存境遇的主旨,源于1956年作者的后叙述而定论。在相当程度上,这是大众、作者与意识形态"合谋"之下的"意图谬见"。文本的隐型意义在于中国革命以及1930年代上海知识分子陷于革命、情爱与生存等诸多困境中的"忧郁"情怀。夏衍作为批判者的警醒与冷静,以及身为历史在场者的沧桑与悲悯,逾越了文学史家眼里左翼革命家身份的界限。life of the The conclusion that major idea conveyed inShanghai Eaves, the famous play by Xia Yan, describes the Shanghai people at the bottom of society comes from thee playwright＇s own later discussion in 1956. To a certain degree, it is the ＂intentional fallacy＂ brought about by the ＂conspiracy＂ of the public, the commentators and the author. The ＂melancholy＂ narrative on Chinese revolution and the intellectuals mired in predicaments of their affection and love, their living conditions show the standpoint of Xia Yan as an alert critic, as well as an attendee of historical vicissitudes, exceeds the boundaries of Left - Wing revolutionaries from the eyes of literary historians.

关 键 词：忧郁 中国革命 知识分子 隐型意义 

分 类 号：I207.34[文学—中国文学]