从声音景观到心灵景观——评贝克特的广播剧《凡跌倒的》和《余烬》  

From Soundscape to Soulscape——An Analysis of Beckett's Radio Plays All That Fall and Embers

作　　者：刘丽霞[1] 周忠新[1] 

机构地区：[1]燕山大学外国语学院,河北秦皇岛066004

出　　处：《燕山大学学报（哲学社会科学版）》2011年第1期27-30,共4页Journal of Yanshan University:Philosophy and Social Science

基　　金：2010年度河北省社会科学发展研究青年课题"声音;存在与表达:贝克特的广播剧研究"(201004075)阶段成果

摘　　要：论文通过分析贝克特的两部主要广播剧《凡跌倒的》和《余烬》,探讨贝克特如何利用广播媒介来继续他对表达形式实验的探索。两部作品经历了一个从以声音景观来模拟外部现实到逐渐深入到角色内心,探寻角色的心灵景观的过程,体现了贝克特由外到内,由具体到抽象,由表象世界到意志世界的不断深入的艺术挖掘过程。The thesis is intended to give an analysis of Beckett＇s two major radio plays All That Fall and Embers so as to reveal how Beckett takes radio medium to continue his experimentation on expression. The two plays undergo a gradual penetration from creating a virtual reality through soundscape to exploring into the soulscape of the character, displaying Beckett＇s artistic exploration from the outside to the inside, from the concrete to the abstract, from the world as representation to the world as will.

关 键 词：广播媒介 声音景观 心灵景观 

分 类 号：I06[文学—文学理论]