《喧哗与骚动》中“复调”意识流特征的认知阐释  

A Cognitive Study of the Stylistic Features of Sound and Fury

作　　者：司文会[1] 

机构地区：[1]湖南科技学院外语系

出　　处：《北华大学学报（社会科学版）》2011年第2期63-66,共4页Journal of Beihua University(Social Sciences)

基　　金：湖南省哲学社会科学基金项目(09YBA067);湖南省教育厅科研项目(09C454)的阶段性成果之一

摘　　要：意识流小说的代表作《喧哗与骚动》中并非只有意识流写作,该小说中存在着意识流技巧与现实主义技巧并置,意识流叙述内部呈现"复调"状态等特点,象似性理论为正确认识这些特点及其成因提供了理论支持。福克纳并非为意识流而使用意识流写作,而是让形式从内容中自然生发,"形神合一"才是作者的最高艺术成就所在。In Sound and Fury,the representative work of stream of consciousness,people can find not only stream of consciousness writing but also realistic writing.And even among different parts of stream of consciousness writing,the author used it in different ways.The iconicity theory of cognitive linguistics will be helpful to explain these phenomena by discussing the iconic relationship between literary form and content.And it can be found that Faulkner used stream of consciousness is not for its own sake but to realize the natural melting between form and content.

关 键 词：文学形式 文学内容 意识流 象似性 

分 类 号：I106[文学—世界文学]