媒介转型与桂剧当代化发展之路新探——以桂剧《大儒还乡》《风采壮妹》为例  

On the Transformation of Media and a Developing Road to the Contemporarization of Guangxi Opera——Taking as a Case Daru Huanxiang and Fengcai Zhuangmei

作　　者：李启军[1] 胡牧[2] 

机构地区：[1]广西民族大学文学院,广西南宁530006 [2]重庆师范大学传媒学院,重庆400047

出　　处：《梧州学院学报》2011年第1期8-13,共6页Journal of Wuzhou University

基　　金：广西高校重点人文社科研究基地课题(2009JD05)

摘　　要：当今,文化的发展已呈现出艺术化与商业化融合的特征,我们可以从对影视的联姻、对新媒介的引进、对新美学艺术形态的借鉴、对传统桂剧的扬弃等方面以及从《大儒还乡》、《风采壮妹》等桂剧中发掘出新桂剧的艺术魅力,从而探寻到桂剧涅磐的可能性路径。The development of today＇s culture reflects a blend of artistic features and commercial features.Based on the connection between movie and television,introduction of new medium,application of artistic style with aesthetics and negation of traditional Guangxi Opera,some artistic charm Guangxi can be discovered and a probable road to perfection of Guangxi opera can be found from the Guangxi Operas such as Daru Huanxiang,Fengcai Zhuangmei,etc.

关 键 词：媒介转型 桂剧 当代化 发展之路 

分 类 号：I207.36[文学—中国文学]