《周易》与元明戏曲略考  

On the Relationship between the Zhouyi and Operas in the Yuan and Ming Dynasties

作　　者：王政[1] 

机构地区：[1]淮北师范大学文学院,安徽淮北235000

出　　处：《周易研究》2011年第2期77-82,共6页Studies of Zhouyi

基　　金：教育部人文社科规划项目:"元明清戏曲母题史"(07JA760012)

摘　　要：元明戏曲的创作是受到《易》之义理及《易》之卜筮文化影响的。在元明戏曲中,有不少对于《周易》及《易》卦的描写。从内容上说,它是社会生活中沉淀了《周易》文化因素而在戏曲创作中的必然反映;从艺术上看,戏剧家们拮《易》卦《易》事进入戏曲描写,也并非闲笔,它有人物塑造、情节安排、心理映带等多种作用。The composition of the operas in the Yuan （ 1206 - 1368 ） and Ming （ 1368 - 1644） dynasties was influenced by the meaning-paUern and divinatory culture of the Change. In the operas of the Yuan and Ming, there are lots of descriptions related to the Zhouyi and hexagrams. In regard to their contents, they are inevitable reflection of the social life in the composition of operas in which the cultural elements of the Zhouyi were deposited. In view of the arts of them, the composers adopted the hexagrams and events of the Change, the contributions of which are not trivial in that these descriptions function in characterization, arrangement of plots, and psyehologieal manifestation in the operas. Departing from specifie writings of the operas, the author makes textual research on the abovementioned phenomena so as to seek adviees from the circles of the Change and opera studies.

关 键 词：周易 元明 戏曲 

分 类 号：I207.37[文学—中国文学]