论客家山歌的生态美学思想  

On the Ecoaesthetic Thought in the Hakka's Folksong

作　　者：房运梅[1] 董希文[1] 

机构地区：[1]鲁东大学文学院,山东烟台264025

出　　处：《嘉应学院学报》2011年第3期24-27,共4页Journal of Jiaying University

摘　　要：借助生态美学的某些观念和方法,尝试从生态美学的角度对客家山歌做出新的阐释,从人与自然、以和为美的角度,对客家山歌的生态美学思想进行探究:人与自然和谐美,从乐本于天、以天地为师来阐释客家山歌的生态美学思想;以和为美的审美理想,从山歌与礼和、山歌与德和进行阐释;客家山歌蕴含的生态美学思想,可以为当今生态研究提供一些有益的启示。By concepts and methodology in ecoesthetics,this paper presents a new interpretation of Hakka＇s folksongs from the aspect of ecoaesthestics;and analyzes the ecoaesthetic thought in it from the aesthetic standard of harmony between human beings and nature.The harmony between human beings and nature,The ecoaesthetic thought in the Hakka＇s folksongs are interpreted from analysing the natural origin of ecological aesthetics of the folksongs and their have the common origin of life between the Hakka＇s folksongs and the universe.Their esthetic ideal on harmony is interpreted from the relations between folksongs and the harmony in etiquettes,morality.The ecoaesthetic thought,entailed in the Hakka＇s folksong,will provide great illuminations to ecological studies,and improve the relationship between human and nature in our country or the world.

关 键 词：客家 山歌 生态美学 

分 类 号：J642.2[艺术—音乐]