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作 者:李冬红[1]
出 处:《暨南学报(哲学社会科学版)》2011年第2期93-97,188-189,共5页Jinan Journal(Philosophy and Social Sciences)
摘 要:明清之际,词的律谱之学逐渐兴盛。与此相适应,人们将词的格律谱的观念用于选词,使大量词选都多少带有词谱的特点,如同调汇列、标注格律、详列异名、并存异体、评述韵法等,体现为对于词体样式的关注,将目光聚焦到词的格律上来,并以之作为选词的重要标准之一。选本往往兼具订谱之功用,试图在文字和格律两方面示人以规范,从而振兴一代词学。谱体词选的以调汇列的编排可为同调词的观察与互校提供广泛的文献依托,促成了清代词谱编纂质量的提高,对于推动词体的探讨、词体格律的重建以及词体创作的繁荣都具有深远意义。Since the Ming and Qing Dynasties,the study on the spectroscopy of tune and style of Ci poem gradually rose.Correspondingly,people put this concept of metrical spectrum on the choice of Ci poem,so that a large number of the collections of Ci poem have metrical characteristics more or less,such as arrangement,mark metrical,set different names of tunes, review rhyme law etc.It reflects in the concern of the Ci style and focuses its attention to the metrical style,and uses it as one of the important criterions for the choice.Anthologies tend to have the function of the metrical use,in an attempt to show specification on both text and metrical so as to revive ci poem.They provided a wide range of literature rely and are contributed to the improvement of the quality of the metrical spectrum of Ci poem.They also have the far-reaching significance on the reconstruction and prosperity of ci poem.
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