老子“有无相生”说与中国美学“意境”之开放性  

"Being and Nonbeing Lies upon each other" Theory of Lao Tzu and the Openness of Chinese Aesthetics' artistic Conception

作　　者：李天道[1] 

机构地区：[1]四川师范大学文学院,四川成都610068

出　　处：《青海师范大学学报（哲学社会科学版）》2011年第2期69-74,共6页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目(08BZX068)

摘　　要：在中国古代美学,老子所谓的"有无相生"之所以成为一个基本命题,就在于它是自然万物构成的精妙表述,含蕴有"有"、"无"一体,宇宙万物和合交通、交相构成的思想。应该说,这一"有无相生"说,实际上也引发了中国古代美学意境理论。意境美学思想可以说最早就包含在老子"有无相生"说中,包含在老子对构成宇宙万物之"有"、"无"一体的"道"及其富有生机活力的描述中,并规定着意境所要透过"境"以表现其开放性。In ancient Chinese aesthetic,＂being and nonbeing lies upon each other＂ theory of Lao Tzu is a basic proposition because of the subtlety expression of physical heritage.Being and nonbeing triggered the artistic conception of ancient Chinese aesthetic.Artistic conception of esthetics thought was include in the ＂being and nonbeing lies upon each other＂ theory,include in Tan and its vivid expression,and shown its openness in ＂Jing＂.

关 键 词：有无相生 道 阴阳 开放性 

分 类 号：B83-0[哲学宗教—美学]