政治创伤中的“文化记忆”——台湾现代诗人笔下“中国形象”的历史建构  

"Cultural Memory" in Political Trauma:A Historical Construction of "the Image of China" in Taiwan Modern Poems

作　　者：白杨[1] 

机构地区：[1]吉林大学文学院

出　　处：《安徽大学学报（哲学社会科学版）》2011年第3期59-65,共7页Journal of Anhui University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目(09BZW063);吉林省社会科学基金项目(2008BWX07);吉林大学2010年研究生课程体系与核心课程建设项目

摘　　要：书写由政治事件引发的生命个体的"存在焦虑",始终是20世纪五六十年代以来台湾现代诗的重要主题之一。为确认个体同外部世界的关系,具有多重面貌的"中国形象"以镜像功能的意义,构成现代诗人笔下内涵深邃的意象。对"中国形象"的营造,超越了单纯的乡愁情结而成为特殊历史时期文化生态及知识者心路历程的见证。The depiction of individual ＂existential anxiety＂ as a result of political events is always an important theme of Taiwan modern poems since the 1950s and the 1960s. As a reflection of the relationship between the individual and the outer world, ＂the image of China＂ with multiple outlooks in modern poets＇ works acquired its profound significance. The creation of ＂the image of China＂, more than an expression of nostalgia, bore witness to the cultural ecology of a special historical period and reflected the spiritual journey of intellectuals as well.

关 键 词：台湾现代诗 中国形象 怀乡叙事 历史建构 

分 类 号：I207.2[文学—中国文学]