数字时代计算机音乐的美学悖论  

The Aesthetic Paradox of Computer Music in the Digital Age

作　　者：李雨佳[1] 

机构地区：[1]西北大学文学院,陕西西安710069

出　　处：《西北大学学报（哲学社会科学版）》2011年第3期112-116,共5页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：陕西省社会科学基金项目(10K016);西安市社科规划基金(10L38)

摘　　要：在以计算机为核心技术的数字技术—艺术时代,"人声歌唱,器乐交响"的传统音乐形式日渐式微,代之而起的是人机一体化的技术—艺术创作。这种变化促使人们的艺术欣赏方式得以重构——经典音乐艺术所刻意强调提升的人之主体性及其内心反思、内省、体验,一转而为计算机音乐艺术的机器"主体性"与"人—机"互动交流——计算机音乐由此成为体现当代人类生存—生活方式变迁的一种重要参照,并具体而微地以艺术化生存和异化生存二律背反的形式与人类的生存改善和价值迁延相关联。In the digital technology-art age,traditional musical form like ＂human voice singing and instrumental symphony＂ has gradually declined,and is replaced by a new form,namely,the technology-art which is the integration of human and machine.This change makes the reconstruction of the way for music appreciation.Specifically speaking,inner subjectivity,reflection,introspection and experience which are stressed by classical music turn to ＂subjectivity＂ of machine and ＂human-machine＂ interaction.Computer music thereby becomes a major expression of the changes of contemporary human existence-life style,and is associated with the improvement of human survival and value persistence in an artistry survival and alienated living way.

关 键 词：计算机音乐 艺术化生存 异化生存 

分 类 号：B83[哲学宗教—美学]