当代视觉艺术领域集合概念的文化含义  

The Cultural Significance of the Assemblage Concept of Contemporary Visual Arts

作　　者：熊鹤[1] 

机构地区：[1]贵州民族学院美术学院,贵州贵阳550025

出　　处：《贵州大学学报（艺术版）》2011年第1期31-34,共4页Journal of Guizhou University Art Edition

摘　　要：后现代主义解构的结果必然会导致语意的断裂。思想的内爆使当今视觉文化告别了整体性、统一性走向了多样化的视觉表征。集合概念在成为艺术创作方式的同时演变为文化的方式。集合概念不仅在艺术中被应用,它甚至是当代生活的一部分。在从语言学角度向符号学的转换中,在后现代视觉文化领域,集合成为了一种被广泛运用的言说方式。The deconstruction of the postmodernism will inevitably result in the collapsing of semantics.While the implosion of the ideology pushes the contemporary visual arts away from integrity and unification for a multiplicity of vision presentation.The concept of assemblage becomes an aspect of culture as well as a way of artistic creation.It is not only used in art,but also becomes a part of modern life.In the postmodern visual cultural field,and in its transference from linguistics to semiotics,assemblage becomes a widely used mode of utterance.

关 键 词：集合 当代视觉艺术 视觉文化 

分 类 号：J024[艺术—艺术理论]