俄国现代性及其悖论——普罗革命语境中的俄罗斯先锋派艺术  

Russian Modernity and Its Paradox——The Russian Avant-garde Art in the Context of the Proletarian Revolution

作　　者：刘胤逵[1] 

机构地区：[1]北京师范大学外国语言文学学院

出　　处：《俄罗斯文艺》2011年第2期41-46,共6页Russian Literature & Arts

基　　金：教育部人文社科重点研究基地2007年度重大研究项目<苏联解体后俄罗斯文学最新发展>(项目号07SSD751075)的阶段性成果

摘　　要：以1917年的十月革命为契机,俄国的艺术先锋派与政治先锋派实现了历史性的会合,之后催生出了一系列以普罗革命为主题的先锋派艺术作品。由于俄国特殊历史文化背景和现代化进程,原本属于对抗性的启蒙和审美现代性在此离奇地纠葛在一起,由此产生的美学的悖论,深刻地植根在了普罗革命语境中的先锋派艺术之中。Taking the Russian October Revolution Russian artistic avant-garde and the Russian political in 1917 as the turning point, the avant-garde achieved a historical combination, which gave rise to a series of avant-garde artistic works having proletarian revolution as their theme. Owing to the special historical and cultural background and the process of modernization of Russia, the enlightenment and the aesthetic modernity which had originally been in antagonism got weirdly entangled with each other. The aesthetic paradox arising therefrom is deeply rooted in the avant-garde art in the context of the proletarian revolution.

关 键 词：普罗革命 先锋派 现代性 悖论 

分 类 号：J151.2[艺术—艺术理论]