抛弃审美形而上学:倒退还是进步——就尼采晚年思想转变与王元骧先生商榷  

Abandoning Aesthetic Metaphysics:Retrogression or Progress——A Discussion with Mr.Wang Yuanxiang on the Change of Nietzsche's Thought

作　　者：冯学勤[1] 

机构地区：[1]杭州师范大学中国美学与文论研究中心,浙江杭州310036

出　　处：《杭州师范大学学报（社会科学版）》2011年第3期29-35,共7页Journal of Hangzhou Normal University(Humanities and Social Sciences)

基　　金：杭州师范大学勤慎研究资助项目

摘　　要：王元骧先生认为,审美(艺术)形而上学作为柏拉图、康德美学及浪漫主义诗学的历史遗产,对抵制科技理性及消费主义对人的异化和物化,发挥审美艺术的终极关怀功效,提升人的精神生活品质并实现人的全面发展有重大意义,因此他认为尼采晚年对其处女作《悲剧的诞生》中所高扬的"审美形而上学"的抛弃是"一种倒退"。这一观点值得商榷,因为他忽略了尼采晚年思想转变的深层原因和重大意义。尼采在其学术生命的最后两年中,诞生了彻底反形而上学的谱系学方法论,面向未来开启了哲学及美学"身体转向"的大门。On one hand,the author believes that the shift represents a great leap in Nietzsche＇s thought rather than a ＂retrogression,＂ as Wang Yuanxiang has termed it.In Nietzsche＇s context,＂metaphysical comfort＂ is completely opposite to ＂earthly comfort.＂ Human being＇s aesthetic activities are ＂earthly comfort＂,not ＂metaphysical comfort＂.On the other hand,with the critical development of genealogy,the theme of ＂body＂ that has long been suppressed by traditional western aesthetics begins to gain prominence.Through genealogy,Nietzsche initiates the ＂turn to body＂ in aesthetics and is recognized by researchers as the founder of ＂somaesthetics＂.

关 键 词：尼采 审美形而上学 谱系学 身体美学 

分 类 号：B83-0[哲学宗教—美学]