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作 者:李小荣[1]
出 处:《福建师范大学学报(哲学社会科学版)》2011年第3期91-100,共10页Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基 金:福建省社科规划基金项目<佛道并兴与陶渊明诗文创作>(2010B108)系列论文之二
摘 要:以房玄龄《晋书》、沈约《宋书》为代表,分别记载了两个繁简不同的陶渊明"无弦琴"故事,它们在后世都有广泛的流传。其实,这两类故事是诗人不同饮酒场景的写照:简单型(第1型)说的是独饮,复杂型(第2型)则为共饮。同时,它们又有不同的寓意:前者重在表现玄学化的人生观和审美方式;后者却在表现道教灵宝派"道以无心宗"的思想,以及对道教步虚音乐的艺术性模拟。Represented by Fang Xuanling's Book of Jin and Shen Yue's Book of Song,two kinds of Tao Yuanming's stories No-stringed Qin are recorded in the complicated and simplified forms,which are both extensively handed to later generation.In fact,the two kinds of stories are the portrayal of the poet's different drinking scenes: simplified type(type 1) refers to drinking by oneself and complicated type(type 2) refers to drinking together.Furthermore,they have different moral: the former stresses the metaphysical life outlook and aesthetic style and the latter shows the thoughts of No center in Dao of Taoism Lingbao faction and artistic imitation of Taosim Buxu music.
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