朱熹选择人居环境的文化意蕴  

Cultural Connotation of Zhu-xi's Selecting Human Inhabited Environments

作　　者：林振礼[1] 

机构地区：[1]泉州师范学院闽南文化生态研究中心,福建泉州362000

出　　处：《福建师范大学学报（哲学社会科学版）》2011年第3期101-106,共6页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：福建省社科规划项目<闽南理学研究>(2008B2063)的阶段性成果

摘　　要：朱熹何以重视人居环境之选择?除了风水学发展至宋代已趋兴盛的社会历史原因,以及朱氏先人长期迁徙形成的文化心理积淀以外,蔡元定的影响也是不容忽视的。其择居的文化意蕴,有如"生理"与"气论",是对人居环境之"气"、"神杀"、"气数"之阐发,以天地人谐和为依归;而"屈曲生动"、"均衡界定"、"视听无邪"为其择居的美学追求;关于人居环境的审美抉择,则是自然与人文、情感与理性的互动统一。In addition to the fact that geomantic practice had developed well into flourish in Song Dynasty,and to the fact that Zhu＇s clan ancestors had formed culturally psychological sentiments,the reason why Zhu-xi involved much emphasis upon the selection of human inhabited environment is that Chai Yuan-ding had a vital influence that cannot be neglected.The cultural connotation of his selecting inhabitation,such as ＂life rational＂ and qigong,illuminates human inhabited environment in terms of spirit＂,＂deity sentences＂,and ＂fortune destiny＂,and attributes the harmony of heaven,earth and human to be the destination.Besides,the aesthetic pursuit of their selecting human inhabited environment includes ＂twist but lively＂,＂equilibrium requirement＂,as well as ＂seeing and hearing without ill circumstance＂.Regarding aesthetic judgment of human inhabited environment selection,there should be interactive consolidation among nature,culture,emotion,and rationality.

关 键 词：朱熹 人居环境 视听无邪 美学追求 文化意蕴 

分 类 号：G05[文化科学]