效果历史的异托邦——从委拉斯凯兹论福柯的空间性历史解构  

The Heterotopias of Effective History:Thinking about Foucault's Spatialized Hidtory from Velázquez

作　　者：孙婷婷[1] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《福建师范大学学报（哲学社会科学版）》2011年第3期107-111,共5页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

摘　　要：福柯对委拉斯凯兹《宫娥》的空间解读,显示出其空间概念"异托邦"与巴洛克之间的互文对话关系。委拉斯凯兹作品中多重空间的存在亦有助于理解福柯视域下的空间表象机制如何通过表象、可视与可述等相关策略的运用进行排斥与隔离从而建立同一性历史话语的秩序。对于同一性的话语霸权,福柯寻找历史断裂处的缝隙,还原线性历史的空间性,这种反抗既是对封闭空间的有力反击同时又难以避免走向自我封闭的悖论性处境。Foucault has described site that undermine stable relationships of Diego Velázquez＇s painting Las Meninas,which reminds us the enigmatic spatial term ＂heterotopias＂ created by Foucault and illuminate the similar spatial complexity between ＂Heterotopias＂ and Baroque.When working in the interdisciplinary fields of Velázquez＇s paintings and Faucault＇s works,the dismantle pictorial order exist in the artworks of Diego Velázquez will reinforce the representing apparatus of space systerm.This systerm use the strategy of representing,visible and descriptive to classifying or exclusion,consequently,it could be reconstruction the discourse order of identity history.Faucault provide ways of deconstruction this order,it draws on grandes fractures.The author of this essay provide an overview of Faucault＇s work has been especially successful in deconstruction the obturating space which is oppresses by power discourse and extends the work of Faucault.

关 键 词：福柯 委拉斯凯兹 空间 历史 异托邦 

分 类 号：I01[文学—文学理论]