明清启蒙美学中“趣”范畴的理论内涵  

On the Theoretical Significance of "qu" in Enlightenment Aesthetics in the Ming-Qing Dynasties

作　　者：陈婷婷[1] 

机构地区：[1]楚雄师范学院,云南楚雄675000

出　　处：《楚雄师范学院学报》2011年第5期23-27,共5页Journal of Chuxiong Normal University

摘　　要：作为明清启蒙美学重要范畴的"趣",其理论内涵正是在使用的过程中得到不断的丰富和完善。具体而言,在明清启蒙美学思想家的视野中,"趣"是主体的审美理想,是对审美主体人格精神的要求,是文本内在的审美属性,同时也是艺术创造的原则。As a main category of enlightenment aesthetics in the Ming-Qing Dynasties,the theoretical significance of ＂qu＂ has been greatly developing.That is,＂qu＂ is the core category of the enlightenment aesthetics,the requirements for personalities and spirits in aesthetics,the nature of the text as well as the principles for artistic creation.

关 键 词：明清启蒙美学 趣 本质内涵 

分 类 号：I01[文学—文学理论]