浅析《到灯塔去》的后印象主义绘画因素  

On Post-impressionist Painting Factors in To the Lighthouse

作　　者：张叶[1] 袁清[1] 

机构地区：[1]湖南城市学院大学英语部,湖南益阳413000

出　　处：《合肥工业大学学报（社会科学版）》2011年第3期112-116,共5页Journal of Hefei University of Technology(Social Sciences)

基　　金：湖南城市学院2009科技计划项目(09A20)

摘　　要：20世纪初,伍尔夫在后印象主义绘画的影响下开始在文学上探索全新的艺术形式。文章指出其作品《到灯塔去》中的后印象主义绘画因素主要体现在四个方面:多焦点透视的运用、变形意象的出现、简化的处理以及严整的构图。通过对后印象主义绘画理论与技巧的借鉴,伍尔夫成功地用文字描绘出一次写在画布上的精神之旅。At the beginning of 20th century,under the influence of Post-impressionist painting,Virginia Woolf starts her exploration on new artistic form in literature.The Post-impressionist painting factors in To the Lighthouse are embodied in four aspects,namely,the use of multi-perspective,the appearance of distorted images,the principle of simplification and the building of a significant design.By applying Post-impressionist painting theories and skills to her writing,Woolf successfully creates a piece of art written on canvas.

关 键 词：后印象主义 多焦点透视 变形 简化 构图 

分 类 号：I106.4[文学—世界文学]