审美计算的兴起  

The Rise of Aesthetic Computing

作　　者：黄鸣奋[1] 

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《重庆邮电大学学报（社会科学版）》2011年第4期90-94,101,共6页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：国家社会科学基金艺术学重点项目:西方数码艺术理论六十年(09AA001)

摘　　要：人类正面临着"信息爆炸"或"数据洪水"的危机,数字化生存日益依赖于计算工具,人机交互已经成为当代人文生态的基本层面和社会关系的重要纽带。在这样的背景下,将艺术和美学引入计算领域具有重要的现实意义。它有助于提高计算效率,把握审美与计算、艺术与科学之渗透的双向性,促进更有涵盖力的信息科学美学的形成,并推动娱乐经济与信息产业的良性互动。Human beings are facing the crisis of ＂information explosion＂ or ＂data flood＂.Their digital existence are becoming increasingly dependent on computational tools.The human-computer interaction has become a fundamental aspect of contemporary humanist ecology,and an important link of social relations.In this context,the introduction of art and aesthetics into the field of computing is of important practical significance.It helps to improve the computational efficiency,to grasp the mutual relations between aesthetics and computing,art and science,promote the formation of a more comprehensive aesthetics of information science,and accelerate the positive interaction between entertainment economy and information industry.

关 键 词：审美计算 西方理论 数码时代 

分 类 号：J0[艺术—艺术理论]