略论鲍姆嘉登的美学思想  

On the Aesthetic Thoughts of Alexander Gottlieb Baumgarten

作　　者：朱立元[1] 栗永清[2] 

机构地区：[1]复旦大学中文系,上海200433 [2]山西师范大学文学院,山西临汾041004

出　　处：《四川师范大学学报（社会科学版）》2011年第4期53-63,共11页Journal of Sichuan Normal University(Social Sciences Edition)

摘　　要：鲍姆嘉登在哲学尚在寻求和确立其自身学科独立性的时代,针对理性认识同感性认识的对立,提出建构sthetik的设想,并初步完成了美学史上第一个完整的理论体系的建设,为彼时从属于"低级系科"的文学和哲学之间架构起一个理论的桥梁,也为后世美学、艺术哲学的研究提供了一个卓越的范例。鲍姆嘉登的美学构想直接影响到德国古典美学家特别是康德在美学向度上的思考,而他提出并着力阐述的"审美的真"、"与理性相类似的思维"等理论范畴和命题则在理性主义时代为艺术、审美的存在和价值的合法性乃至优先性奠定了基础,无愧于"美学之父"的荣誉。Baumgarten,in the time when philosophy was still seeking for its independence as a discipline,with the antimony of rational knowledge and perceptual knowledge,put forward the hypothesis of constructing the concept of Aesthetic and preliminarily accomplished the construction of the first complete theoretical system in the history of aesthetics,which provided an extraordinary example for later aesthetics and art philosophy.His hypothesis of aesthetics directly influenced German classic aesthetician,especially Kant＇s thought on aesthetic dimension.He advanced and elaborated such theoretical notions and propositions as ＂the truth of aesthetic appreciation＂,＂the concept similar to ration＂,which laid the foundation of the legitimacy even the priority of the existence and value of art and aesthetic appreciation during the time of Rationalism,and he,with no doubt,deserves the honorable reputation of ＂the Father of Aesthetics＂.

关 键 词：鲍姆嘉登 美学思想 “审美的真” 《诗的哲学默想录》 《美学》 

分 类 号：B83-0[哲学宗教—美学]