从受众角度论影视原声作品字幕的英汉翻译  

On E-C Subtitling of Audiovisual Programs——From An Audience-oriented Perspective

作　　者：黄越[1] 

机构地区：[1]湖南财政经济学院外语系

出　　处：《山东外语教学》2011年第3期85-90,共6页Shandong Foreign Language Teaching

基　　金：2010年度湖南省哲学社会科学基金项目“工作坊(WORKSHOP)模式在翻译课堂教学中的应用研究”(2010YBB047);2010年度湖南财政经济学院教育教学改革立项课题(J201036)的部分研究成果

摘　　要：影视艺术是视听双频的大众传播艺术，因而影视翻译较之其它类型的翻译，显得独特而复杂。本文从大众传播中受众的角度，探讨字幕翻译的原则及策略，提出了字幕英汉翻译以受众为中心的总原则，同时给出并详细分析了支持这一总原则的分原则：合理的经济原则、口语化、易懂性原则。本文还相应提出了具体的翻译策略，如减译、缩译、阐译、标点符号的使用等。An audiovisual program is a kind of multimedia performance where dialogues work together with visual images, soundtracks and music. As a result, audiovisual transhtion with various constraints is much more complicated than other types of translation. This article ventures to put forward a criterion, i.e. target audience orientation, for E-C subtitling. Namely, with a ＂gestalt image＂ of the whole program in his or her mind,a subtitling translator should be audience-oriented. Sub-principles, such as the principles of reasonable economy, legibility and colloquialism, are also identiffed and demonstrated. Moreover, corresponding strategies are put forward with examples.

关 键 词：字幕 受众 英汉字幕翻译 

分 类 号：I046[文学—文学理论]