马克思美学的当代中国形态:游戏美学  

The contemporary form of Marxist aesthetics in China: game aesthetics

作　　者：周文杰[1] 

机构地区：[1]大连理工大学人文社会科学学院,辽宁大连116023

出　　处：《河南社会科学》2011年第4期75-78,218,共4页Henan Social Sciences

基　　金：教育部规划基金项目(10YJA720044);辽宁省教育厅人文社科项目(W2010094);大连理工大学自主科研项目"游戏理论的多学科交叉研究";中央高校基本科研业务费专项资金资助项目(DUT10RW315)

摘　　要：每个时代的美学都是人学,都是对人类生存的关怀,都是由这个时代提出的问题决定的。而一个时代的美学,不仅会塑造这个时代的民族精神,而且会决定这个时代的民族走向。马克思的实践美学诞生在人类生存遭受物质生活和精神生活双重压迫的19世纪,今天,面对越来越富裕的中国人的意义失落与精神焦虑,建构有现实内容、民族形式的"游戏美学"为当代人提供意义坐标与精神家园,无疑是马克思实践哲学中国化、时代化和大众化的实现路径,也是中国哲学的历史使命。The aesthetics in each age is anthropology, which focus its concern on the existence of the human, and is decided by the problems of the certain age. The aesthetics of an age can shape the national spirit of the time and can decide the national trend of the age. Marxist practical aesthetics came into being in the 19th century, when the human is under both spiritual and material pressure. Nowadays, the increasingly prosperous Chinese are facing the problem of being lost and spiritual nervousness. Undoubtedly, it is both the route for the Marxist philosophy to localize, modernize and popularize in China, and historical task for the Chinese philosophy, to provide the spiritual home for the Chinese by constructing the game aesthetics with the realistic content and national form.

关 键 词：游戏美学 实践美学 马克思 当代形态 

分 类 号：B83[哲学宗教—美学]