胡风抗战诗歌文艺观与日本现代文学理论  

Hu Feng's Ideology of Literature and Arts on the Poems of Anti-Japanese and Modern Japanese Literature Theories

作　　者：田源[1] 

机构地区：[1]重庆师范大学文学院,重庆400047

出　　处：《北京化工大学学报（社会科学版）》2011年第2期52-55,51,共5页Journal of Beijing University of Chemical Technology(Social Sciences Edition)

基　　金：国家社科基金项目"中国诗坛的日本因素"(编号:08XZW018)的研究成果

摘　　要：胡风在抗战时期的诗歌创作中塑造了丰富的形象,这些形象的生成与胡风的文艺思想密切相关。同时,胡风战时文艺观也深受日本现代文学理论的熏陶和影响,在藏原惟人"无产阶级现实主义论"的指导下,他提出了文艺与生活的关系,此外,还批判地吸收了厨川百村重视内部心灵与青野季吉偏爱外部环境的理论,从而形成了辩证的现实主义文艺观,闪烁着新无产阶级文学的光辉。In the period of anti-Japanese war, Hu Feng created and described a variety of images in his poems works, and these images were closely linked with Hu Feng＇s ideology on literature and arts. Meanwhile, such ideology was deeply influenced and affected by modem Japanese literature theories. Under the guidance of Korehito Kurahara＇s ＂proletarian realism＂, Hu Feng advanced the relationship between literature and life. Moreover, he absorbed critically the theory of Hakuson Kuriyagawa on ＂intemal soul＂ and Kikichi Aono＇s preference to extemal environment and formed dialectically realistic ideology on literature and arts, shining with new brilliance of proletarian literature.

关 键 词：胡风 抗战诗歌 文艺观 日本现代文学理论 

分 类 号：I206.6[文学—中国文学]