盖娅的崛起与盘古的觉醒——论中西创世神话的生态维度  

Rising and Awakening: An Ecoaesthetic Reflection on Gaia and Pangu

作　　者：刘心恬[1] 

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《中国地质大学学报（社会科学版）》2011年第4期19-23,共5页Journal of China University of Geosciences(Social Sciences Edition)

基　　金：教育部人文社学科学重点研究基地项目"生态美学基本理论问题研究"(2009JJD750010)

摘　　要：每个民族的创世神话都对本民族的文化和思维方式产生了深远的影响,有的甚至作为文化原型植根于上下千年的民族文化嬗变之中。盖娅是古希腊创世神话象征大地的创世之神,盘古是中国古代创世神话开天辟地的创世之神,二者在创世模式上颇具相似之处。虽然都是宝贵的民族文化遗产,盖娅与盘古的现代命运却大为不同。早在上世纪下半叶,西方自然科学界便将盖娅的意象引入地球生理学的研究,形成了"盖娅假说"。与之相比,盘古的意象在现代的价值转换这一课题却没有受到应有的重视。在西方自然科学局部复魅的同时,中国的生态研究却尚未充分利用本土资源形成独具特色的理论话语。本文通过对比盖娅的崛起和盘古的消逝,旨在分析探究神话意象在生态审美中的发展前景,并为以盘古为代表的中国古代文化资源的觉醒和崛起,为中国生态美学建构本土话语提供一个思路。As a vital component of mythology,the creation myths have profoundly influenced the establishment of mythological system,and some of them even present a crucial significance to the transfiguration of archetype in the realm of national culture,such as Gaia,the Ancient Greek goddess,and Pangu,the creation god of Chinese Myth.However,during the procedure of the modern value transformation for the ancient culture,Gaia occupies a high rank that differs much from that of Pangu,which urges us to reflect on the distinction in the research on ecological aesthetics between China and West.As early as 1970,British scientist James Lovelock put forward the proposal on Gaia hypothesis,which has been promoted later by Lynn Margulis with her disenchanted mode of scientific research.To figure out the inner causes that result in the phenomenon that Gaia rises and Pangu fades away,there would be plenty issues for the study of ecological aesthetics to work out,which would definitely make significant contribution to the promotion of Chinese ecoaesthetic research,as well as the intercultural communications between Chinese and Western scholars.

关 键 词：盖娅 盘古 创世神话 盖娅假说 生态美学 

分 类 号：B932[哲学宗教—宗教学]