马拉美《一个牧神的午后》的“灵境”解读  

Resolving of Spiritual State in Mallarme's The Afternoon of a Faun

作　　者：刘茜[1] 阎保平[1] 

机构地区：[1]大连大学文学院,大连116622

出　　处：《德州学院学报》2011年第3期86-88,共3页Journal of Dezhou University

基　　金：辽宁省社科规划基金项目(L08DWW014)

摘　　要：马拉美在《一个牧神的午后》中通过梦境、乐境、语境三种艺术方式的合而为一,充分表现了他对诗歌"纯粹的本质"的刻意追求,显示了他捕捉的艺术之美是一种流动的、不确定的、转瞬即逝的心灵境界。Mallarme merged three art patterns which are dreamland,musical plane attained and context into a single whole in his The Afternoon of Faun.It fully presented his painstakingly pursuing of the ＂pure essence＂ for poems and also embodied that his captured art beauty is a kind of spiritual plane attained which is flowing,indefinite and fleeting with time.

关 键 词：马拉美 《一个牧神的午后》 灵境 

分 类 号：I106.2[文学—世界文学]