关于文学宏大叙事的几点思考  

Several Reflections on Grand Narrative in the Literature

作　　者：马德生[1] 

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2011年第4期96-100,共5页Journal of Hebei University(Philosophy and Social Science)

基　　金：2010年教育部人文社会科学研究规划基金项目<当代中国文学宏大叙事的反思与重构研究>(10YJA751051)

摘　　要：20世纪90年代以来,随着后现代文化思潮的冲击,宏大叙事之所以在中国当代文学中的内在合法性遭到质疑、颠覆和解构,其中最重要的原因之一,是长期以来对宏大叙事存在着认识上的误区。从宏大叙事的概念生成与内涵特征、对后现代理论的认知偏差、意识形态或政治工具和个人化叙事等方面进行了重点反思。认为重新审视和辩证理解作为文学遗产的宏大叙事,对当下文学放弃社会责任、价值关怀和精神担当等,具有建设性意义。Since the 1990＇s, with the impact of postmodern cultural ideological trend, the inherent legitimacy of grand narrative in Chinese contemporary literature was questioned, subversive and deconstructed. One of the most important reasons is the misunderstandings on grand narrative for a long time. This article has made the key reflection on the concept formation and features of grand narrative, cognitive biases on postmodern theory, ideology or political tools and personal narrative and other aspects. Reviewing and dialectical understanding the grand narrative used as literary heritage is constructive for contemporary literary to give up social responsibility, value care and spirit bear etc.

关 键 词：后现代理论 中国语境 宏大叙事 个人叙事 反思 

分 类 号：I206.7[文学—中国文学]