论胡仔《苕溪渔隐丛话》的诗学审美观  

A Textual Research on the Poetry Aesthetics of Series of Poetic Notes Taken by The Recluse of the Brook Tiao

作　　者：殷海卫[1] 

机构地区：[1]河南科技大学人文学院,河南洛阳471023

出　　处：《渭南师范学院学报》2011年第7期51-56,共6页Journal of Weinan Normal University

基　　金：河南省社科联2008年度调研课题(SKL-2008-126);河南科技大学博士科研启动基金资助项目

摘　　要：《苕溪渔隐丛话》是宋代诗话总集的双璧之一,它对唐宋诗学研究有着极其重要的文献价值。该书不仅体现了胡仔独特的诗学批评特征,具有重要的诗歌史意义,还体现出编者胡仔对诗歌审美的特定追求。他崇雅黜俗,讲求含蓄,追求清远、平淡自然的诗风,注重整体美,追求创新等。这些审美追求,使该书的价值远远超出了一般诗话总集仅仅收录别集的意义。它既改变了诗话总集有选无论的状况,弥补了胡仔没有诗学专论传世的遗憾,也客观反应了宋代诗学审美的一些共同特征。Series of Poetic Notes Taken by the Recluse of the Brook Tiao is one of the first two rates of poetry collection of Tang and Song Dynasties.The book is embodied with the vivid poetics＇ critic characters of Hu Zi,and it shows the unique pursuit of aesthetics of poetry.The author advocated elegance and objects commonness,astounding implicitness and pursuit of the natural poetry style;it focuses on the ＂whole beauty＂ and innovation.All of these aesthetics pursuits enabled the value of the book beyond other collections of poetries whose meaning is just for embodiment of collected works.It has greatly changed the conditions of collections of poetries that are contained selections without critics and made amendment that there were no extent symposium of Hu Zi,which has also mirrored common characters of poetic aesthetics of Song Dynasty.

关 键 词：胡仔 《苕溪渔隐丛话》 诗学 审美观 

分 类 号：I207[文学—中国文学]