作为公众话语的身体——论新感觉派小说的身体想象  

Human Body:A Public Discourse——On the Imaginations of Human Body in New Sensation Novels

作　　者：耿传明[1] 李国[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《烟台大学学报（哲学社会科学版）》2011年第3期65-71,共7页Journal of Yantai University(Philosophy and Social Science Edition)

基　　金：国家社会科学基金项目"现代中国乌托邦小说研究"(07BZW052)

摘　　要：身体是一种动态的、复杂的话语体系,它处在一个永恒的流变当中。同时,两性身体作为一种想象体存在,通过"阅读"能指的身体符号所呈现的活动方式、症状等,便能发现它背后隐含的所指意义以及意义的变迁过程。所以,身体的意义总是在特定的社会、文化、人际关系中建构出来的。新感觉派小说对身体的想象与描写其实是对身体意义的再建构:一方面,这种对身体想象的再建构与五四文本相比体现了由理性追思的个体性向感性享受的公共性的转变轨迹,体现了相对应的身体作为公众话语的特性;另一方面,与上世纪30年代左翼文学的作为革命式公众话语的身体想象相比,新感觉派小说表现出了作为消费式的公众性话语身体想象。Human body is a dynamic and complex discourse system man body of different genders exists as imaginations. By ＂reading＂ ; it lies in an eternal fluidity. Meanwhile, husignificant symbols which show activities and symptoms, we can find the meanings of the change process behind the signified symbols. So the significance of human body is always constructed in the specific social, cultural and interpersonal relationship. The new sensation novels of imagination and description about human body are in fact the reconstruction of the meaning of human body. On the one hand, comparing with the literature in the May Fourth Movement, this reconstruction of human body imaginations reflects the change from rationality of individuals to the sensations of public and the corresponding characteristics which human body shows the public discourse. On the other hand, comparing human body imaginations with revolutionary type of public discourse about left-wing literature in the 1930s, it shows that human body imaginations are the consumption type of the public discourse.

关 键 词：公众话语 身体 新感觉派小说 身体想象 现代性 

分 类 号：I207.42[文学—中国文学]