宋代文人“浯溪”赋咏的文化内涵  

A Study of the Cultural Connotation of Composing and Singing about Wuxi in Song Dynasty

作　　者：刘春霞[1] 

机构地区：[1]广东广播电视大学文法系,广州510091

出　　处：《山西师大学报（社会科学版）》2011年第4期59-62,共4页Journal of Shanxi Normal University(Social Science Edition)

摘　　要：浯溪本是地名,由唐代文人元结始名。元结在浯溪写下了《大唐中兴颂》一文,并请颜真卿磨崖刻之。浯溪因元文、颜刻而声名远播,成为文人普遍关注的诗文意象。宋代文人的"浯溪"赋咏具有独特的文化内涵,是特定时代思想精神的熔铸。北宋文人侧重反思《大唐中兴颂》一文的写作意旨及文体本质,是儒学复兴后文人主体意识高扬的体现;南宋文人强化了《大唐中兴颂》一文的"中兴"意旨,多借赋咏唐朝史事表达中兴宋室的希望,是其"中兴"情结的体现。Wuxi was once the name of a place named by Yuan Jie, the famous literati in Tang Dynasty, who wrote ＂Ode to Tang Dynasty＇s Resurgence＂. And the poem was carved on the cliff in Wuxi by Yan Zhenqin, the celebrated calligrapher in Tang Dynasty. Owing to Yuan Jie＇s poem and Yan Zhenqin＇s carved cliff, Wuxi gradually became a well-known place of interest. Wuxi was described by poets and literatis as a literary source of unique intension. The composing and singing about Wuxi in Song Dynasty mainly commented on the connotation of ＂Ode to Tang Dynasty＇s Resurgence＂, which showed different spirits of different times. The literati in Northern Song Dynasty mainly thought about the intention and the essence of ＂Ode to Tang Dynasty＇s Resurgence＂ The literati in Southern Song Dynasty strengthened the resurgence meaning of ＂Ode to Tang Dynasty＇s Resurgence＂, and conveyed the hope of restoring the nation by composing and singing about Wuxi, which was the reflection of the knot of resto- ring the nation.

关 键 词：宋代 文人 浯溪 大唐中兴颂 文化内涵 

分 类 号：I226.3[文学—中国文学]