中国百年来马克·吐温研究的考察与评析  

An Analysis of 100 Years’ Mark Twain Studies in China

作　　者：杨金才[1] 于雷[2] 

机构地区：[1]南京大学外国文学研究所教授、博导,南京210093 [2]南京理工大学外国语学院副教授,南京210094

出　　处：《南京社会科学》2011年第8期132-138,144,共8页Nanjing Journal of Social Sciences

基　　金：国家社科基金重大项目“新中国外国文学研究60年”(09&ZD071)的系列成果之一

摘　　要：马克.吐温的文学作品自20世纪初进入晚清中国之日起,已是一个世纪有余。适逢马克.吐温逝世一百周年,本文通过对1905年以来,尤其是新中国成立60年来马克.吐温在中国的接受之特点和成因加以考察和评析,廓清其发展脉络和存在的不足,以期为今后马克.吐温研究在中国的进一步深化提供建设性参考。Early at the beginning of the 20th century,the name of Mark Twain appeared in Chinese literary journals,but serious critical interest in him came much later in the 1930s when a few of his works were translated.Gradually there have occurred various critical remarks among literary scholars who are trained in literary analysis and theory.They write about Mark Twain displaying a multifaceted writer who followed a course from politics to poetics.The critical reception of Mark Twain in China is not a one-dimensional matter.What governs this reception,though sometimes a matter of chance,are intricately connected to the features of Chinese culture of politics and mentality.In this sense,if we want to explain the way Mark Twain and his works have found their place in Chinese culture,it will be necessary to consider the specific processes of development of the Chinese literary consciousness from the beginning of the 20th century till now.There could be discerned three distinct sociocultural periods.Mark Twain＇s reception in China has followed the national agenda of each of the three different periods of sociocultural development as well as the tastes and reading horizons of the audience.

关 键 词：马克.吐温 中国 批评 译介 

分 类 号：I106.4[文学—世界文学]