《诗经》的艺术范型  

The Art Paradigm of The Book of Songs

作　　者：林祥征[1] 

机构地区：[1]泰山学院汉语言文学院,山东泰安271021

出　　处：《泰山学院学报》2011年第4期16-21,共6页Journal of Taishan University

摘　　要：《诗经》的艺术范型,是《诗经》艺术手法的基元,是一个相对稳定的艺术符号系统,是先民在充满矛盾的人生中开放出来的心灵之花,是他们心灵世界的自觉表达,承载着民族的情感、精神、气质、心理等内在的东西。本文阐述《诗经》4类13种艺术范型以及对后代文学创作产生的深远影响,以期对诗词艺术手法和内部结构,对民族心灵发展史以及《诗经》的美感效应有更深刻的认识。The art paradigm of The Book of Songs is a relatively stable system of artistic symbols, is the spiritual flowers which open in the ancestors＇heart during their contradiction life, and is a conscious expression of their inner world. It carries the emotional, spiritual, temperament, psychological and other internal stuff. To get a deeper understand of poet artistic, its inner structure, the spiritual development of the nation and the aesthetic impact of The Book of Songs, the paper describes four categories and thirteen artistic paradigm and its deep influence on the next generations＂ literature.

关 键 词：诗经 艺术范型 影响 

分 类 号：I207.2[文学—中国文学]