宋代江浙诗韵的上、去声  

The Falling-rising Tone and the Falling Tone in the Rhymes of Poems in Jiangsu and Zhejiang in Song Dynasty

作　　者：钱毅[1] 

机构地区：[1]邵阳学院中文系,湖南邵阳422000

出　　处：《湘南学院学报》2011年第4期45-48,共4页Journal of Xiangnan University

基　　金：教育部人文社科研究一般项目(10YJC740083);中国博士后科学基金项目(20100471322);江苏省博士后科研资助计划项目(1001058C);湖南省教育厅科研基金优秀青年项目(09B093)

摘　　要：宋代江浙诗人用韵四声分押格局占绝对优势,这说明中古四声格局在宋代江浙基本未变。不过上声与去声之间有较多通押。宋代江浙地区全浊上声字正处在向去声演变的过程中。宋代江浙吴语中全浊上声调类可能存在,大概读成阳上。In Song Dynasty, the poets of Jiangsu and Zhejiang mainly used the four tones rhyming skill, which shows this pattern was basically unchanged there. Only the falling - rising tone and the falling tone had more comman rhymes. At that time the voiced sound words were in the evolution from falling - rising tone to the falling tone, so there maybe existed the rhyming adjustment of the words with voiced falling - rising tone, pronounced as the second and the third tones.

关 键 词：宋代 江浙 方言 上声 去声 

分 类 号：H113[语言文字—汉语]