莱辛与苏轼诗画理论之比较  

A Comparison of Lessing and Su Shi's Theories on Poems and Paintings

作　　者：王瑞[1] 

机构地区：[1]伊犁师范学院外语系,新疆伊宁835000

出　　处：《汕头大学学报（人文社会科学版）》2011年第4期64-67,95,共4页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：伊犁师范学院2009年院级立项课题青年项目"莱辛<拉奥孔>之诗画理论研究"(2009-41)

摘　　要：在诗画关系上,莱辛与苏轼的"诗画异质"观与"诗画同律"说取向各异。究其原因,其所处的各自的社会文化背景,中西殊异的诗画性质与艺术系统以及中西不同的文化精神是造成这两种诗画论文化内涵不同的重要原因。同时,由于同是在探寻诗画艺术规律,因此,二者在观点相异的同时又达成了一定的共识。As for the relationship between poems and paintings,Lessing thought that the two forms of art were different while Su Shi believed that the two followed common laws and could merge with each other.Their different opinions are due to their different social and cultural backgrounds,different art systems and cultural spirits of China and the west.At the same time,they reached some common understanding because both were seeking for the law of art.

关 键 词：莱辛 苏轼 诗画理论 

分 类 号：I0[文学—文学理论]