《金瓶梅》评点美学述评  

The Artistic Review and Commentary in the Golden Lotus

作　　者：贺根民[1] 

机构地区：[1]广西师范学院文学院,广西南宁530001

出　　处：《济宁学院学报》2011年第4期19-23,共5页Journal of Jining University

基　　金：广西教育厅2010年度课题(201010LX271)

摘　　要：《金瓶梅》评点者深谙奇书的才子文心,打造一种开放、积极参与的批评模式,拓宽了《金瓶梅》的阅读空间,《金瓶梅》评点成为其生命存在的形式。他们传承《金瓶梅》的文化精神,构筑了斑斓璀璨的古典小说理论话语阐释世界,并促进了我国小说观念的近代化和批评体系的完善。我们必须寻找一种合适的研究视角,参以比较小说学理论,寻找文本阐释和理论言说的民族文化生态,在中国小说美学史的脉络上凸显《金瓶梅》评点的文化定位。The commentary of the Golden Lotus were familiar with the masterpieces by heart, who created an open and active mode in reading, expanded its space on the Golden Lotus＇ reading, thus the criticism on it was an existence of life forms. Inheriting cultural spirit, building a gorgeous world in explanting, they promo- ted the modernization in novel idea and improved our critical systems. We must find a suitable research per- spective, looked for a national culture ecology which the text was explanted and the theory was spoken, high- lighting the cultural orientation the Golden Lotus＇ criticism in the history of Chinese fiction theory.

关 键 词：《金瓶梅》 评点美学 文本定位 

分 类 号：I207.419[文学—中国文学]