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作 者:李仕华[1]
出 处:《西华师范大学学报(哲学社会科学版)》2011年第4期52-55,共4页Journal of China West Normal University:Philosophy & Social Sciences
基 金:四川省教育厅社科基金重点项目(095A087)
摘 要:新时期以来的文学理论在不断的建构和解构中力求突破传统的话语样态,寻求自己的身份空间。20世纪八十年代后期兴起文化研究的理论建构,是对文学艺术自律论的逆动;其丰富了文学研究方法,扭转了文学边缘化的逆境。大众文化语境中的文学新变在文化研究中得到了关注,多学科学术资源在文化研究中得以整合,但文学理论自身的问题视野与价值立场却在文化研究中缺失。文化研究成为了大众文化的同盟,其在价值多元的口号中生成虚无立场。The literary theory of the new era tries to break through the traditional words style and find out its own identity space in the continuous theoretical construetfon and deconstruction. The theoretical construction of the cultural studies, rising in the late period of 1980s of the 20th century, is a reverse movement for the self-restriction of the literature and arts. The methodologies of the literary studies are enriched and the adverse circumstances of the marginal literature are changed. The new change of the popular culture is concerned in the cultural studies and the academic resources of multiple subjects are integrated. However, the problematic vision and valuable position of the literary theory itself brings about losses. The study of culture becomes the alliance of the popular culture and generates a nihilist position in the diversity of values.
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