略论曹禺戏剧舞台指示的特殊性  

On the Particularity of Stage Directions of Cao Yu’s Drama

作　　者：高沁[1] 

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《铜仁学院学报》2011年第3期26-28,共3页Journal of Tongren University

摘　　要：戏剧作为跨媒介艺术,按"文本-演出"模式分段创作而成。舞台指示部分以其诞生于剧本创作阶段、改造于舞台演出阶段的特殊地位,成为维系戏剧艺术独立性的关键所在。本文概观并深入论述了舞台指示在曹禺剧中的特殊表现,进一步探讨其作用与历史审度,对研究戏剧作为完整统一的艺术体系提供了有益的范例。As a ＂Cross-Media＂ art, drama is composed with ＂text-show＂ mode. Stage directions are the key maintained the independence of drama, which are born in the script writing phase, transformed in the stage performing phase. In this article, the author first overviews stage directions, and discuss its special performance of Cao Yu＇s drama, and then explores its role and history degree. Those provide a useful example to study drama as a complete and unified art.

关 键 词：戏剧 舞台指示 曹禺 

分 类 号：I23[文学—中国文学]