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作 者:楚晓娟[1]
机构地区:[1]北京教育学院体育与艺术学院,北京100044
出 处:《北京教育学院学报》2011年第4期65-68,共4页Journal of Beijing Institute of Education
摘 要:在唐代妆饰艺术中,面部化妆占有十分重要的地位。"斜红妆""、落梅妆""、时世妆"等三种不同的面部妆型,表现出唐代面妆艺术浓妆重抹、娇艳夺目,雍容华贵、富丽堂皇,张扬个性、展放生命力,民族融合、文化兼容的特点。唐代女性面妆艺术从另一个侧面反映了唐朝开放包容的精神面貌。The society,culture,and arts were unprecedentedly prosperous in Tang Dynasty.At that time,the cosmetic arts entered into an unprecedented developing epoch as well as the poetry and calligraphy reached to their historical climax.Xie hong zhuang(adornment of sunglow red),luo mei zhuang(adornment of falling wintersweet blossom),shishi zhuang(nowadays adornment),the three kinds of facial adornments exposed similar and different art characteristics.It's significant to understanding the ethos of Chinese cultural tradition,broadening perspective and thinking,enriching esthetic taste,and promoting esthetic value by learning and researching of these cultural heritage.
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