试论三度音程对音乐的建构——以弗兰克《A大调小提琴与钢琴奏鸣曲》为例  

An Analysis of the Three-degree Interval on the Foundation of Music——Taking Franck's Violin and Piano Sonata in A Major as an Example

作　　者：赵彬宏[1] 夏荣华[2] 

机构地区：[1]渭南师范学院艺术学院,陕西渭南714000 [2]四川师范大学音乐学院,成都610068

出　　处：《渭南师范学院学报》2011年第9期78-80,共3页Journal of Weinan Normal University

基　　金：渭南师范学院科研计划项目(09YKZ056)

摘　　要：弗兰克《A大调小提琴与钢琴奏鸣曲》作于1886年,是小提琴音乐历史上具有里程碑意义的作品,音乐突出体现了三度音程对旋律发展、调性布局、和声序进、色彩装饰等方面的核心母体控制作用,透视出弗兰克对20世纪集合音乐理论探索的前沿意识。Franek＇ s Violin and Piano Sonata in A Major was invented in 1886, which is the millstone in the violin music： histo- ry. The music outstandingly shows the central matrix controlling effect of three-degree interval on the development of melodies, the layout of the tonal, the order to harmonize and the decoration of the color and so on. It reflects Franck＇ s advanced consciousness on the probe into collected music theory in the 20th century.

关 键 词：三度音程 弗兰克 《A大调小提琴与钢琴奏鸣曲》 建构 

分 类 号：J605[艺术—音乐]