仪式·音乐——以德宏户撒阿昌族南传佛教仪式活动为例  

Ceremony and Music in the Little Vehicle Ceremony of Achang in Yunnan Dehong region

作　　者：宋文贤[1] 

机构地区：[1]云南艺术学院音乐学院,云南昆明650000

出　　处：《北京青年政治学院学报》2011年第3期96-100,共5页Journal of Beijing Youth Politics College

基　　金：2007年国家社科基金项目"中国南传佛教音乐的人类学研究"

摘　　要：仪式一直被视为民族志研究者阅读和诠释社会的一种"文本",也是文化的整体表达。音乐是人们用来进行仪式的特定符号,它的意义和功能存在于特定的仪式结构当中。在云南德宏地区户撒阿昌族的南传佛教仪式活动中,音乐和非音乐的音声因素组合而成特定的符号,其自身特点在仪式中突显,并成为族群记忆延续和传承的时空桥梁。Ceremony is a text that ethnography workers read and explanatory society,and the whole expression of culture.Music is one of the most special symbol in the ceremony,which function and value are in.In the Little Vehicle ceremony of Achang in Yunnan Dehong region,the tone poem symbol consists of two parts,one is always sounding in temple and another is sacred music.Conequently,the tone poem of Achangzu religion not only has meanings at its feature but also is a bridge in the time.The memory of ethnic community has carried on as before and passed on to date.

关 键 词：仪式 音乐 阿昌族 族群记忆 

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