《悖论》的陌生化解读  

Defamiliarization in Paradoxes

作　　者：熊海英[1] 

机构地区：[1]湖南理工学院大学英语部,湖南岳阳414006

出　　处：《湖南人文科技学院学报》2011年第2期38-40,共3页Journal of Hunan University of Humanities,Science and Technology

基　　金：湖南省哲学社会科学基金项目(08YBB241)

摘　　要："陌生化"(Defam iliarization)由20世纪俄国形式主义者什克洛夫斯基提出。所谓"陌生化",就是"使之陌生",将日常熟悉的事物加以艺术处理,使之与审美主体保持一定距离,从而使主体获得陌生美感。这一原则可以很好地概括英国17世纪的玄学派诗人在诗歌创作方面的艺术追求,同样也适应于玄学派代表人物约翰.邓恩所创作的散文。以《悖论》(Paradoxes)为例可以阐释玄学思维和陌生化表达在约翰.邓恩散文中的体现。＂Defamiliarzation＂ was proposed by 20th century Russia formalist Shklovsky.The so-called ＂Defamiarization＂ means ＂making strange＂,it gives the artistic processing to daily familiar things,and makes them to maintain certain distance with the esthetic subject,thus the subject will obtain the strange esthetic sense.This principle can be a good overview of the metaphysical British poets of the seventeenth century creation of art in the pursuit of poetry,it also applies to metaphysical representative John Donne＇s prose.This article take ＂Paradoxes＂ as the example to illustrate the expression of metaphysical thinking and defamiliarization in John Donne＇s prose.

关 键 词：约翰·邓恩 悖论 奇喻 陌生化 

分 类 号：I06[文学—文学理论]