中国城市建筑景观与后殖民主义批评——中国城市建筑景观“趋同”的思想根源及其出路  

China′s Urban Architectural Landscape and Post-colonialism Criticism:the Ideological Roots and Its Way Out of China′s Urban Architectural Landscape "Convergence"

作　　者：吕宁兴[1] 耿虹[1] 

机构地区：[1]华中科技大学建筑与城市规划学院,湖北武汉430074

出　　处：《城市发展研究》2011年第8期116-119,124,共5页Urban Development Studies

摘　　要：全球化使各个国家和地区之间的文化差异越来越小,呈现一体化的趋势,而城市建筑作为人类现代文化的载体,也有一种趋同的发展势头,由此也引发了人们对传统和本土文化的担忧。我国城市建筑景观也面临着"趋同化"的问题,其深层的原因在于受西方中心意识主导下的现代化思想的影响。后殖民批判理论解构"中心",主张多元文化共存,这对于从根本上解决我国当前城市景观特色危机有重要的理论指导价值。Globalization makes cultural differences among various countries and regions become smaller and smaller,showing the trend of integration,and urban architecture as a carrier of modern human culture also has a convergence of momentum,which raises the people′s concerns about the traditions and local culture.China′s urban architectural landscape is also faced the problem with ＂convergence＂,the underlying reason is influenced by the western-centered consciousness of modern thought.The theory of post-colonialism criticism deconstructs ＂center＂,in favor of multicultural coexistence,which has important theoretical value for a fundamental solution to the crisis of China′s current urban landscape features

关 键 词：城市建筑景观 趋同化 西化 殖民意识 后殖民主义 

分 类 号：TU098[建筑科学]