Temporal and Narrative Features of Ian McEwan＇s and Joe Wright＇s Atonement  

作　　者：Rajko Petkovie Petra Perkov 

机构地区：[1]University ofZadar, Zadar, Croatia

出　　处：《Sino-US English Teaching》2011年第8期532-543,共12页中美英语教学（英文版）

摘　　要：The paper deals with temporal and narrative properties of Ian McEwan＇s （2001） and Joe Wright＇s （2007） Atonement. In order to show continuity with his other works, four of McEwan＇s novels--The lnnocent （1990）, Amsterdam （1999）, Saturday （2006）, and On Chesil Beach （2008）, have been analyzed before elaborating the novel and film adaptation of Atonement （2007）. Apart from the narratological analysis, McEwan＇s layered works lend themselves to different kinds of readings, and the authors have used the theoretical notions of Immanuel Kant （1952） as well as concepts derived from the postmodem philosophical movement. The aim of the paper is to show how the chronotopical and intertextual nature of the literary original finds a worthy equivalent in the film version, proving the feasibility of a successful intermedial transfer of a complex narrative structure

关 键 词：CHRONOTOPE narrative INTERTEXTUALITY FICTION 

分 类 号：G633.41[文化科学—教育学]