电视剧艺术生产主体:在“孤立”到“集体”的路上  

The Body of Teleplay Artistic Production:From Isolation to Collectivity

作　　者：熊文泉[1] 高晓军[2] 

机构地区：[1]山东大学审美文化研究中心,山东济南250100 [2]南昌大学科学技术学院,江西南昌330029

出　　处：《江西教育学院学报》2011年第4期146-149,共4页Journal of Jiangxi Institute of Education

摘　　要：为了创作出独创性艺术作品,艺术家必须获得超越视角以洞察世界,久而久之,渐渐形成某种"孤立"的境界。中国电视剧艺术生产主体是由制片人、编剧、导演、演员等艺术家按照一定形式结构的集体。如此,电视剧艺术家被抛掷在一条"孤立"到"集体"的路上。在不同的体制和机制下,曾形成"编剧中心制"、"导演中心制"、"制片人中心制"、"明星中心制"等等组织形式,无论以谁为中心,其实质无非要确立一个"孤立"的中心。其实,艺术生产的"孤立"与"集体"并不矛盾,在"孤立"到"集体"的路上,个体应既是"孤立"的,又是"集体"的,"孤立"中有"碰撞","碰撞"后再"孤立",形成一种多元结构的"集体主体性"。In order to create original works of art, the artist must exceed all visual angles to read the world, gradually come into being certain isolated state. The art body of Chinese teleplay production is a collectivity made up by producer, playwrights, directors and actors etc according to definite form. So teleplay artists have thrown down the road from isolated and collective. In a different system and mechanism, some types of organization such as playwright center, director center, producer center and star center etc have taken shaped.An isolated center must be established in essence, no matter what. In fact, there is no contradiction between isolated production and collective production. On the way from isolation to collectivity, the individual is isolated as well as collective. Collision exists in isolation. Isolation comes back after collision. Thus the multiple framework of collective subjectivity has taken shaped.

关 键 词：电视剧 艺术生产主体 孤立 集体 主体性 集体主体性 

分 类 号：J90[艺术—电影电视艺术]