略论王闿运文学创作的客观评价问题  

On the Objective Evaluation Problems of Wang Kaiyun's Literary Creations

作　　者：周柳燕[1] 

机构地区：[1]湖南商学院文学院,湖南长沙410205

出　　处：《中南大学学报（社会科学版）》2011年第5期181-185,共5页Journal of Central South University：Social Sciences

摘　　要：王闿运的诗文作品虽然模拟之迹明显,但并非完全脱离社会现实、专事模拟的"老古董"。在内容上,王作能切近现实社会问题,表达对民族危亡的关注、对国计民生的忧患,以及对官场腐败的揭露,具有较为广泛的社会意义;在艺术上,王氏求新求变,形成了以境界高远、风神壮阔、情动于中、含蓄蕴藉、工于炼字、清绮雅洁为主要特征的独特风格。造成王闿运诗文被误读的原因是多方面的,个人局限、时代因素和论者偏见兼而有之。Although the analog traces of Wang Kaiyun＇s poems and essays were obvious, they were not works entirely divorced from social reality and ＂antiques＂ which specialized in simulation. In content, his works were close to the problems of social reality and concerned about dire peril of the nation, the hardship of people＇s livelihood, and the exposure of official corruption, which had a wider social significance. In art, Wang had innovative ideas, lofty realm, magnificent vision, abundant emotion, subtle and euphemistic expressions, exact words, light and beautiful styles were the main features of his works. There were many reasons causing the misreading of Wang Kaiyun＇s works, such as personal limitations, the time background and commentators＇ bias.

关 键 词：湖湘文化 王闿运 《湘绮楼诗文集》 湖湘诗派 

分 类 号：I206[文学—中国文学]