新型文化媒介人与日常生活的审美呈现——费瑟斯通审美化理论的内涵及其意义  

The Aesthetic Presentation of Neo-cultural Agent Person and Daily Life:the Connotation and Significance of Featherstone's Aesthetic Theory

作　　者：张富宝[1] 范文艳[1] 

机构地区：[1]宁夏大学人文学院,宁夏银川750021

出　　处：《绵阳师范学院学报》2011年第7期57-61,共5页Journal of Mianyang Teachers＇ College

摘　　要：费瑟斯通开创了一种文化学、社会学与传播学相结合的研究模式,他把"日常生活的审美呈现"视为一个从现代到后现代具有审美连贯性的长时段的历史进程,并将它置于后现代主义与消费文化的宏观背景之中,在它们之间建立起一种内在的辩证联系,从而给我们理解这一问题拓展出一种更为广阔的视野。Featherstone creates a new research mode which combines culturology and sociology with communication studies.He regards ＂the aesthetic presentation in daily life＂ as a long term historical process with aesthetic continuation from modern to postmodern,puts it in the macroscopic background of post-modernism and consumer culture,and sets up an intrinsic dialectical connection between them,thus expanding a broader vision for our understanding of this problem.

关 键 词：费瑟斯通 日常生活审美化 新型文化媒介人 文化实践 

分 类 号：I01[文学—文学理论]