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作 者:束舒娅[1]
出 处:《南京航空航天大学学报(社会科学版)》2011年第3期62-67,共6页Journal of Nanjing University of Aeronautics & Astronautics(Social Sciences)
摘 要:回归历史语境,先秦两汉《诗》学史中普遍的"《诗》非诗",成为毛诗"《诗》作经读"的前理解;而毛诗又在"《诗》非诗"的悬置中生发出中国讽寓解释。比兴作为中国讽寓解释的重构模式,以言-象-意的层层深入实现《诗》的伦理教化;"天人合一"的宇宙观则为讽寓重构中的类型化方法指出人间性的形上路向。毛诗以史事追索、谱系认同、风雅正变三种方式塑造出"文的英雄主义",实现历史启示;历史信化则在由史鉴到《诗》谏、继而《诗》范、《诗》教的价值丰富中充当媒介。Returning to historical context,"The Book of Songs is not a poem",which is very prevalent among the research history of The Book of Songs in Pre-Qin and Han Dynasty,becomes the pre-understanding of reading The Book of Songs as scripture.And then Mao's Poetry generates Chinese allegories.As a reconfiguration mode of Chinese allegories,Bi-xing achieves the ethical culture of The Book of Songs by the progression of words,images,and ideas.Our world view about harmony between human being and nature indicates the earthly metaphysical direction for the typification of allegory reconfiguration.Mao's Poetry shapes "civil heroism" to realize historical enlightenment by reviewing historical event,identifying descent and fengyazhengbian.During the value's perfection between using the history as a guide and educating with The Book of Songs,historization is an intermediary.
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