蒲松龄小说《聊斋志异》中的佛教文化思想探析  

Exploration of Buddhist Culture and Thought in Strange Stories from a Chinese Studio by Pu Songling

作　　者：李福军[1] 

机构地区：[1]云南师范大学文学院

出　　处：《云南电大学报》2011年第3期36-39,共4页Journal of Yunnan Rty University

摘　　要：蒲松龄在构建《聊斋志异》鬼狐仙怪世界故事时多以佛教文化思想中的"因果报应"观,用隐喻的方式表现,一定程度上体现佛教提倡"众生平等"思想及佛学的神秘观,因而使小说中鬼狐仙怪"独于详尽之外,示以平常,或花妖狐魅多具人情,和易可亲,妄为异类,而又偶见鹘突,乎知非人"。Pu Songling was inclined to express ＂Karma＂ in Buddhist culture and thought metaphorically when he described ghost and fox stories in his Strange Stories from a Chinese Studio,advocating the idea of ＂Everyone is equal＂,and the mysterious concept of Buddhism to some extent.Therefore,ghost and fox figures in his stories were ＂independent to display to be normal,or a human fox more charming,amiable,and heterogeneous,but occasionally contradictory and almost inhuman＂.

关 键 词：《聊斋志异》 佛教文化 禅宗 因果报应 

分 类 号：I207.419[文学—中国文学]