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作 者:汪平[1]
机构地区:[1]重庆电力高等专科学校素质部,重庆400053
出 处:《重庆师范大学学报(哲学社会科学版)》2011年第5期125-128,共4页Journal of Chongqing Normal University Edition of Social Siences
摘 要:大众传媒以不可思议的力量构建着当代的审美观念,导致了转型时期审美观念时尚化、审美要求泛化、审美意识世俗化、审美认知图像化,文学审美从传统的纯审美而进入了泛审美的时代。在大众传媒的文化霸权逼迫下,文学从思维方式、创作方式到接受方式都深深地带上了大众传媒的技术特性,作品大量增加审美消费比重,模仿成风,尤其是小说主动"触电",剧本化倾向十分明显。The mass media, with unbelievable strength, constructed the contemporary aesthetic concept, resulted in the aesthetic fashion, aesthetic requirements of generalization, aesthetic consciousness of secularization, aesthetic cognition of images in the period of transition. Thus literary aesthetic appreciation of literature enters into the generalization era from the traditional pure appreciation of the beauty. Under the euhural hegemony of mass media, literature deeply has the media technology chairacteristics from the way of thinking, the way of creation to the way of acceptance. The works has a large increase in aesthetic consumption proportion and imitation, especially novels has an obvious tendency of script.
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